The author also drew on the resources of the Prints and Photographs and Music Divisions. “Pop Trickster Fool” (University of Illinois Press, 2004) examines the implications of pop artist Andy Warhol’s life-long penchant for playing the fool. Cresap points out how Warhol, by habitually adopting the guise of a fool in public, obscured his intentions as both a pop artist and a filmmaker. By making his own apparent lack of competence and intelligence into an elaborate ruse, he became a figure without whose self-conscious naiveté has had a revolutionary impact. The book blends art, literature, popular culture and mythology. Jennifer Doyle of the University of California at Riverside called it “an adventuresome and refreshing look at the performance aspect of the artist’s persona—a great reminder of how much fun it is to write and to think about Andy Warhol.”
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